Reading Rancière
    Edited by Paul Bowman and Richard Stamp
    • Paul Bowman & Richard Stamp: Editors’ Introduction 1. Benjamin Arditi (National University of Mexico, UNAM) Fidelity to the disagreement: Jacques Rancière and politics 2. Sam Chambers (Johns Hopkins University) Democracy and the “Police” 3. Rey Chow (Brown University) & Julian Rohrhuber (Cologne University) The Freedom of Capture: Artwork – Trap – Equality 4. Jodi Dean (Hobart and William Smith Colleges) Politics Without Politics 5. Ben Highmore (Sussex University) Jacques Rancière and the Orchestration of the Passions 6. Suhail Malik and Andrea Phillips (Goldsmiths College) Equal sovereignty: contemporary art in the regime of democracy 7. Oliver Marchart (Universities of Basel and Vienna) Between Autonomy and Heteronomy: Rancière’s Political Aesthetics as an Aesthetics of the Non-Political 8. Linsey McGoey (Oxford University) Police reinforcement: Property, conflict and the political complicity of dissent 9. Martin McQuillan (University of Leeds) Liberation Philosophy: Rancière and Derrida 10. Nina Power (Roehampton University) Documenting the Real: Rancière, Godard, Marker 11. Mark Robson (Nottingham University) Film, Fall, Fable: Rancière, Rossellini, Flaubert, Haneke 12. Alex Thomson (Edinburgh University) On the Shores of History 13. Alberto Toscano (Goldsmiths College) The Knowledge of Equality: A Plea for a Proletarian Science 14. Jacques Rancière (University of Paris) Afterword

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